Sunday, April 12, 2015

Vril Technology & J. Ascending & The Israel Lobby

12+4+2+0+1+5 = 16+8 = 24 = X
1+2+4+2+0+1+5 = 15 = O
XO = UR

PAHANA = 41 = T.I.L. = The Israel Lobby

Complex Organic Molecules 

Discovered in Infant Star System

Hints that the building blocks of the chemistry of life are universal

http://www.eso.org/public/news/eso1513/

The Israel Lobby:

Is It Good for the US?

Is It Good for Israel?

 
I'm telling you, I'm Nobody ~ ISIS
I+I+N+ISIS =GAIA+N+ISIS = 32+ISIS = 32+56 = 88
+&+&+&+&+&+&+&+
Jupiter Ascending is a 2015 American-Australian space opera film written, produced, and directed by Lana and Andy Wachowski. Starring Channing Tatum and Mila Kunis, the film is centered on Jupiter Jones (Kunis), a down-on-her-luck cleaning woman, and Caine Wise (Tatum), an interplanetary warrior who informs Jones that her destiny extends beyond Earth. Supporting cast member Douglas Booth has described the film's fictional universe as a cross between The Matrix and Star Wars, while Kunis named indulgence and consumerism as its underlying themes. The film was co-produced by Grant Hill, who acted as executive producer on The Matrix Reloaded and The Matrix Revolutions and as producer on V for Vendetta, Speed Racer, Ninja Assassin and Cloud Atlas, making Jupiter Ascending his seventh collaboration with the Wachowskis. Several more longstanding Wachowski collaborators since the creation of The Matrix films have contributed to the picture, including production designer Hugh Bateup, visual effects supervisor Dan Glass, visual effects designer John Gaeta, supervising sound editor Dane Davis and costume designer Kym Barrett. Other notable past collaborators include Speed Racer's composer Michael Giacchino, Cloud Atlas' director of photography John Toll along with its editor Alexander Berner and hair and make-up designer Jeremy Woodhead, who worked on both. Although critics praised the visuals, world-building, and originality, the general attitude toward the film was negative, with most criticism focused on incoherence in the screenplay and an over-reliance on special effects. Despite this, the film has found a niche following, particularly among female sci-fi fans who appreciate the film's campiness, and that the film deviates from typical gender dynamics in a genre that is traditionally male-centric.

Contents


Vril Technology and the Odin Departure
In 1871 Sir Edward Bulwer-Lytton published a novel entitled Vril: The Power Of The Coming Race about a subterranean civilization able to utilise a powerful force or earth energy called 'Vril'. This energy could be used for good or ill, to heal or to destroy (similar to Prana, Chi, Orgone).The novel was a huge success in its time, and is credited with giving rise to the Science Fiction Genre. However, it is rarely read today, Lytton's prose style being incompatible with modern taste. This can be seen from an annual competition, run by a Californian University, known as 'The Bulwer-Lytton Fiction Contest'. The one condition  of entry is 'to compose the opening sentence to the worst of all possible novels'. Joke-worthy as the book may be now, its influence at the time cannot be downplayed. And it was Bulwer-Lytton's professed interest in all things occult that led to speculation that this work of fiction was really based on fact, i.e. that Vril is a real force or energy. The Theosophists developed this idea attracting interest from such notables as Sir George Bernard Shaw. Vril became the centre of  secret societies devoted to its study, the most remarkable arising in pre second-world-war Germany. The medium Maria Orsic was leader of the 'Vrilerinnen', the beautiful young ladies of the Vril Gesellschaft. Characteristically they all wore their hair in long horsetails, contrary to the popular short bobbed fashion of their day, claiming their long hair acted as cosmic antennas that helped facilitate their contact with beings from other worlds.
According to the legend of the German Vril society, a fateful meeting was held in 1919 at an old hunting lodge near Berchtesgaden, where Maria Orsic presented to a small group assembled from the Thule, Vril and Black Sun Societies, telepathic messages she claimed to have received from an extraterrestrial civilization existing in the distant Aldebaran solar system, sixty-eight light years away, in the Constellation of Taurus. One set of Maria's channeled transmissions was found to be in a secret German Templar script unknown to her.


Researcher Wendelle Stevens tells us that, rather than a militant gesture of aid to aggressive Nazis, the Aldebarans perceived an economic disparity in Earth cultures that fueled perpetual wars and conflict. To alleviate this disparity the Aldebarans reasoned that by offering 'free-energy' technologies, used to create affordable mass transportation devices, a new innovative generation of industries, promoting prosperity and greater peaceful interaction between nations might result; thus diminishing violent wars. Clearly such a plan resonated with members of both the Thule and Vril Societies and their dream for a clean and free technology based on this 'alternative science' harnessing Vril energy. Here is a short summary of messages the Vril medium had received over the years and which formed the basis for all further actions by the Vril-Gesellschaft, compiled by author Jan van Helsing. This material is not science fiction, but represents truly what was going on in the Inner Core of Thule and Vril. It should be emphasized to the reader that even if you don’t believe a word of this, it’s irrelevant. They believed it and they built at least two very complicated secret societies around it - and these societies became quite powerful and influential:
 The solar system Aldebaran has a sun around which revolve two inhabited planets that form the empire SUMERAN. The population of the Aldebaran system is divided into the original "pure" race of people (Aryans) and several other human races that had devolved by genetic mutation from the parent population because of climatic changes brought about by nuclear war upon the planets.

The more the races intermixed, the lower the spiritual development of these people collectively sank, which led to the situation that when the sun Aldebaran began expanding they could no longer maintain the space travel technology of their forefathers and could not leave the planets by their own means.  The genetically degraded races, totally dependent upon the master race, had to be evacuated and were brought to other inhabitable planets. They colonized our solar system, starting with the planet Mallona (also called Maldek, Marduk or Phaeton among Russians) that existed at that time between Mars and Jupiter, now occupied by the asteroid belt 

Despite their physical and cultural differences, all the races respected one another and did not interfere with each other, neither the so-called genetically "pure" people nor the mutated hybrid races. Each respected that the others just made their own developments [in contrast to what happens on Earth].
Members of the Vril Society believed that Aldeberans landed on Earth following global cataclysms, when the planet became slowly habitable again in the region of Mesopotamia.  Re-establishing civilization they formed the dominant ruling nobility of the Sumerians and various other early societies, governing through an elite bloodline and segregated caste system; interracial inter-breeding (mixing blood) was strictly taboo.
 
The mediums were said to have had also received precise information about the civilizations on the inhabited planets situated around the sun Aldebaran and a 'one way' trip was scheduled to depart towards the Pleiades to re-unite.
Despite their distrust of men, the women of Vril eventually did join with the Thule Gesellschaft and DHvSS in order to construct an inter-dimensional channeled flight disc known as the JenseitsFlugMaschine (JFM). But unlike the other two groups the Vril Gesellschaft were an inner circle of women who were also fighting against their times and culture. With substantial financial backing, the odd disc shaped machines were successfully constructed in Munich and secretly tested for several years. Thule wanted to develop both a production combat craft and a functional Raumschiff (Spaceship). The Vril, by comparison, only wanted to develop Raumschiffe (Spaceship) to reach Aldebaran in the Taurus Constellation 64 light years from earth. Had the Vril maidens retained control of the projects born from the channeled information they received, subsequent events may have been very different.
Unfortunately they got tangled up with the militarized political branch of the Thule and other nationalist occult groups, all bent on revenge against the rest of Europe for the humiliation of defeat of World War I. When the Nazi party came to power in Germany, Maria and the Sisters had no real choice but to go along for the ride.
The Nazis successful development of functioning disc craft during the war is now well documented. Virgil Armstrong, former CIA operative and former Green Beret, said the German flying machines during World War II could land and take off vertically and fly at right angles. They reached 3000 km / h and were armed with cannons which could penetrate a shield 10 cm thick. In early 1943, the Nazis embarked on the design of a cigar-shaped spaceship that was to be built in the workshops of Zeppelin. It was the ''Andromeda'' Apparatus and was designed to transport several spacecraft in a plate form for interstellar flights. When they occupied Germany, in early 1945, the British and the Americans discovered, among other things, the secret files of the SS, photos Haunebu II and the Vril 1 as well as the Andromeda. In March 1946, President Truman gave the orders to collect the Nazi material and to classify the technology as Top Secret. German scientists working undercover, were given false papers and sent to the U.S. as part of the framework of "Operation Paperclip". 
Meanwhile Maria Orsitsch and the Vril Circle mysteriously disappeared, never to be heard from again, fueling speculation among some writers that Maria may have in fact escaped, as she claimed, to Aldebaran. A recently published "Letter of Departure" to the Young Vrilerinnen (jungen Vrilerinnen), dated March 11, 1945, mentions the "Odin Departure" (Odin-Ausflug). It refers to a temporary evacuation location with Maria, and the final departure to Aldebaran.
The letter ends: “niemand bleibt hier” (no one is staying here) and is signed "With Cheerful Courage" (Mit frischem Mut) by Godrun. In Norse mythology Gudrun was the sister of Gunnar, both children of Giuki – king of the Nibelungs. Sigrun (another Vril Maiden) was one of the nine daughters of Odin. Regardless of how much of this story is factual, and how much is modern myth, why is there nothing about this in school textbooks, encyclopedias, or reported in the media? Particularly in Germany, where there is freedom of the press and they declare that they only teach the truth. Surely it is reasonable to discuss the real truth now, after 70 years, openly without being arrested or publically labeled a "racist". During the time that I. G. Farben supported Hitler, their partner Standard Oil (Rockefeller) organized the people against the Nazis. Likewise, Ford Motor Company made armaments for the U.S. Army, but produced, while in Germany, military vehicles for the Nazis. Ford and Opel (subsidiary of GM that is controlled by JP Morgan) were the two largest car manufacturers in Germany for Hitler. No matter the winner, globalist multinational corporations were instigating and profiting from all sides. What's more, in 1946 the Rockefeller foundation paid $139,000 USD for the exclusive rights to the official 'public version' report of the History of the Second World War, which concealed all the help provided by American bankers in financing and arming the Nazi war machine.  They also made sure to keep from the public the truth behind Admiral Byrd's mission to Antarctica immediately following WW2, a secret that has lasted as long as the cover-up concerning the events at Roswell. It was also silent about the mystical and occult ideology behind the Nazi regime, including the Vril inspired free-energy technology, which was rumored to have been later perfected at the infamous Area 51, near the site of the Roswell incident. The major donor was the Rockefeller's Standard Oil.
"It was a great pleasure to meet Erich von Daniken again this weekend at the conference, held in Stuttgart, to celebrate his 80th birthday, and to have the opportunity to chat with him privately. I like Erich. He's very down to earth and not at all in the business of starting a new religion like some in the 'ancient aliens' movement. He is also open to other points of view. When he invited me to speak at the conference I reminded him that I don't share his enthusiasm for the ancient astronaut theory. I'm not against 'aliens' as such -- I'm certain the universe is full of life. But in more than quarter of a century of exploring and studying some of the most extraordinary archaeological sites on earth I have not yet seen one thing, or stumbled across one mystery, that requires ancient astronauts to explain it. The mysteries are there, but a lost human civilization of the last Ice Age is a far better explanation for them than the ancient astronaut theory ever was or will be. I warned Erich that I'd be saying all this in my lecture to his conference (which was attended by 2,500 people) but he said I should come anyway and that he welcomed my point of view. Afterwards, despite some harsh criticism from me on stage, he was warm and friendly, clearly bore no grudges, and we had a very pleasant and interesting conversation. So... Happy Birthday Erich! I must have been about 19 years old when I first read 'Chariots of the Gods" and the book stimulated my imagination and helped me to look at the ancient world in an entirely new way. For that I'm very grateful." 
-- Graham Hancock 12.4.2015

Photo of Erich von Daniken and Graham Hancock by Santha Faiia

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